February 2, 2006

EDITORS NOTE:

NALIPeros:

As you may have noticed, the Latinos In The Industry (LITI) newsletter took an impromptu hiatus last week due to our NALIP staff working overtime accepting an OVERWHELMING amount of Membership, Conference 7 and corresponding scholarship submissions. Also, with our work updating the NEW membership database just in time for the debut of the 3 rd Edition, Latino Media Research Guide™, our hands have been more than full.

As NALIP readies a wonderful 2006 year for you all, our Staff thanks you for your continued support and involvement with our Signature Programs and this very newsletter-- look for a special ‘NALIPsters at Sundance 2006’ LITI Edition next week!!!

We hope to see you all at NALIP’s 2006 Conference 7—‘Latino Lens: Naked Truth’ to be held this year March 9 th - 12 th, 2006 in Long Beach, CA.

we caught the wave last year, NOW it’s time to KEEP swimming!!!

Register for Conference 7 at:

http://www.nalip.org/conference2006/index2.html

 


CALL FOR ENTRIES--

REEL RASQUACHE 2006 : Festival of the U.S. Latino Experience in Film & Art

Deadline: March 10, 2006

A unique West Coast celebration of films by and about U.S. Latinos

Los Angeles, CA, January 24, 2006 – The 3 rd annual Reel Rasquache 2006 Film Festival will take place on the weekend of May 5 th-7 th at California State University , Los Angeles . 

This year’s theme: Raices/Roots.

Filmmakers are invited to submit films that celebrate the rich spectrum of Latina/o experiences in the U.S. on all topics and in all genres - animation, documentary, experimental, features, and shorts.  This year there will also be a special New Technologies sidebar competition. We invite the submission of short-form digital filmed projects made for internet-casting and personal mobile media playback devices (e.g., iPod ®, PVR).

About the Festival
Reel Rasquache , in its third year continues to strive to build bridges/puentes – between East and West Los Angeles , between community and the University, between U.S. Latino independents and the Hollywood industry. By showcasing new works by U.S. Latino filmmakers and artists, the Festival will promote access – by local communities, filmgoers and entertainment industries to new U.S. Latino film and art. By facilitating an intersection of U.S. film and arts communities, University academic programs, and diverse audiences from across Los Angeles , the Festival will provide a forum to promote/showcase new talent and provide students with new learning opportunities.

For Festival information, submission specifications, and to download the 2006 Entry Form, please visit www.reelrasquache.org .


CALL FOR ENTRIES—Moondance International Film Festival 2006

Come Join the Moondance!
Final Deadline for submissions is a postmark of: April 1, 2006

Moondance info at: www.moondancefilmfestival.com

MOONDANCE FILM FESTIVAL DATES: JUNE 9-11, 2006

LOCATION: RALEIGH STUDIOS, HOLLYWOOD , CALIFORNIA

Yes! Moondance is moving to Hollywood for 2006 (and beyond), to the Raleigh Studios, our new film festival venue, which will accommodate our ever-popular, growing and expanding film festival. The Los Angeles-area venue will give festival attendees the opportunity to more easily get exposure for your work and make contact with the film industry movers and shakers: agents, producers, distributors, directors, actors, studios and production companies, while attending the Moondance. The Moondance office will remain in Boulder .  See you in Hollywood .

THE FILM FESTIVAL:
The Moondance International Film Festival, popularly known as the "American Cannes", is one of the premier venues for the exhibition and promotion of feature and short films in the US , and one of the leading indie film festivals in the world. Dedicated to celebrating and sharing with international audiences the absolute best in the world of films and screenplays, film scores, and some 25 other genres, the festival features special presentations, retrospectives,  workshops, pitch panels, a gala awards reception and ceremony, and many of the world's top indie film screenings..

MOONDANCE 2006
Info, guidelines and entry forms are available on the website now.
Click Here for Details!

Info at: www.moondancefilmfestival.com

NOTE: The submissions period will NOT be extended!


SANDRA LORD— Proudly Invites You To The Monthly

HOLLYWOOD NETWORKING BREAKFAST® (aka The Hollywood Breakfast™)


SPECIAL GUEST SPEAKER:

MIKE LARSEN
Co-Executive Producer/Showrunner, “RODNEY”

(see credits below)

WHEN: THURSDAY, FEBRUARY 23, 2006

8:00a.m - 10:30a.m.   Check-in starts at 7:20a.m.
Postmark Deadline – Thursday, FEBRUARY 16, 2006
(You must list your PROFESSION and full legal name as it appears on valid ID for security)


WHERE: WYNDHAM BEL AGE HOTEL

SALON ROOM II
1020 North San Vicente, West Hollywood , CA   90069
(1/2 Blk. South of Sunset, behind the Viper Room)

Produced in Los Angeles to benefit: CHANGING IMAGES IN AMERICA
www.changingimagesinamerica.org
(A non-profit organization dedicated to promoting diversity in American culture)

Sponsors: Final Draft, Inc.& Jungle Software

(The independent Filmmaker’s budgeting and scheduling software)

ATTIRE: BUSINESS CASUAL ATTIRE REQUIRED.  PLEASE, NO JEANS OR T-SHIRTS.  

(We reserve the right to refuse service to anyone)

MIKE LARSEN: SHOWRUNNER / ‘RODNEY’

Mike Larsen is one of the most in-demand show-runners in Hollywood . Mike started his entertainment career as stand-up comedian, moved into acting, then found his true calling as a writer/producer. He is currently Co-Executive Producer/Show-runner on the ABC television sitcom, Rodney. A relative late-comer to television, Mike toured for twelve years as a stand-up comedian, including appearances on "The Tonight Show with Jay Leno".  Mike has previously served as Co-Executive Producer of Whoopi Goldberg’s critically acclaimed series, ‘Whoopi’ and as Co-Executive Producer on the long-running hit series, ‘Sabrina, The Teenage Witch’. Some of his credits as a writer/producer include: Ellen, Two Guys, A Girl and a Pizza Place , Reba, The Drew Carey Show and Grace Under Fire . Mike currently has several projects in active development. Prior to comedy, Mike worked on Capitol Hill in Washington , DC and continues to write speeches and debate prep for Democratic candidates. 

You’ve always been told you need to get your TV projects to a show-runner to get noticed in this town – don’t miss this event!!


To contact us about the breakfast, PLEASE DO NOT EMAIL US. You must CALL (323) 465-9800.

RESERVATIONS: On-Time (post-marked by deadline – one week prior to the event): $40 for FULL breakfast. Make checks payable to: Changing Images In America, P.O. Box 2688 , Hollywood , CA 90078 .  Pre-confirmed Late Reservation: $45, cash only. Walk-ins: $50, cash only. As usual, for our attendance list, emergency contact, and for security purposes, you must list your profession, phone number and other contact info, also the LEGAL NAMES (as they appear on state issued I.D.), and profession of all guests who are paid for on your check. Dress code and other policies apply. Please visit our website www.changingimagesinamerica.org or http://hgenonline.com/event_breakfast_la.asp, or call the office for additional guidelines and information.  No-show reservations cannot be rolled over, but can be transferred to someone else on the day paid for only. Changing Images In America is a non-profit organization dedicated to promoting diversity in American culture.


Cowboy del Amor’ opening in Theatres

Homeland Film Productions Inc. and Netflix Inc. are pleased to announce the U.S. theatrical release of Michèle Ohayon's COWBOY DEL AMOR on Friday, February 10, 2006 in New York City at Cinema Village ( 22 E.12th St. ) and in Los Angeles at the Nuart Theatre ( 11272 Santa Monica Blvd. ). The film goes on to open in Dallas , TX at the Inwood Theater ( 5458 Lovers Lane ) on March 3, 2006 and in Austin , TX on March 24, 2006 at the Dobie Theater ( 2025 Guadalupe
St .). More theaters nationwide- check on www.cowboydelamor.com

From the Academy Award-nominated director of COLORS STRAIGHT UP, comes a new documentary that follows cowboy-turned-matchmaker Ivan Thompson – the self-proclaimed "Cowboy Cupid" - as he helps lonely American men find their ideal wife across the Mexican
border.

Hailed by critics as "wildly entertaining," the cinema verite-style documentary/comedy , COWBOY DEL AMOR, is an entertaining and heart-warming story about the pursuit of love. The Tex-Mex score by veteran film and television composer Joseph Julian Gonzalez (Price of Glory, Resurrection Blvd. ) features the vocal talent of Cava (Quetzal, Ozomatli) and Yari Moré (Grupo Niche, Tito Puente) and songs co-composed by Jesus "Chuy" Perez ("Como Ves"). Cowboy del Amor is Winner of Best Documentary Award at 2005 Santa Fe Film Festival, Writers Guild Award
Nominee Best documentary feature


LA Theater Project/Casa 0101 Present:
Casa de Palabras: A Writing Intensive Weekend with Ricardo A. Bracho

WHEN: February 11 & 12, 1 - 5 pm
COST: $75 for both days, $40 for one day
Enrollment limited, sign up now!

Playwright and creative writing instructor Ricardo A. Bracho returns to Casa for a special two-day writing intensive.  If you're working on a novel or non-fiction, a play or screenplay or have never written before, please join us for this weekend. 

Ricardo A.  Bracho is a Brooklyn-based, LA-raised , Mexico City-born writer and educator.  He has taught creative writing courses at Casa and in the San Francisco Bay Area.  His plays have been produced in SF and NYC and have been read nationally including the Ricardo Montalban Theater and the Kirk Douglas Theater .  He has been a participant in the NEA/TCG Residency Program for Playwrights and the Mabou Mines Resident Artists Program.  He has received two commissions from the Latino Theater Initiative of the Mark Taper Forum and multiple awards including two Asuncion Awards, a Dean Goodman Choice Award, the George Houston Bass Award, a Panelist's Choice Award from the Edward Albee Theater Conference and the UCSB Latino Playwriting Award.  He was 2004-05 Artist/Scholar-in-Residence at UCSB Center for Chicano Studies.

Directing for Film and Video Workshop with Joseph Perez Six Sundays beginning February 19th - March 26th, 5-8pm Cost: $200

Directing for film and video is a workshop that focuses on the director's preparation for shooting, by understanding the story and implementing staging techniques, camera-composition and coverage. Addressing the "actor's process" with the intent to increase the director's ability to gain the actor's trust to provide a creative environment. Video-demos with outside actors will be a key component to this learning process. We will also discuss the director's conceptual responsibilities, giving "voice" to the director's vision of the film.

Born in 1969 in East Los Angeles , Joseph Perez is the youngest of eight children. The symbol of anxiety in his work can be displayed early on in his award winning short films, Whacked and Journey To Nowhere. Joseph stamped his distinctively bitter view of life, love, humor and tragedy as his personal journey displayed in the screenplay of To Protect and Serve (Sundance Writer's Lab Finalist). Perez developed the feature film during his undergraduate studies at the Art Center College of Design and completed principle photography in his last term. He was awarded the prestigious ABC / DGA directing fellowship, learning the inner-workings of television on shows such as Alias, The West Wing, Spin City and The George Lopez Show. He recently directed the Lifetime drama The Division, putting him in the running as a director for hire in the single-camera drama arena. Joseph is currently directing and producing a DVD series on cognitive development for children, an integration of live-action, animation and info-graphics. He is also pitching his TV pilot The Gomez Situation, an ensemble family drama revolving around a single-parent dad who is forced to relinquish his progressive style of parenting in order to save his children from courting disaster. Joseph is the founder of Day For Night Pictures LLC, a film production company established to create original and innovative work in feature films, and DVD productions for entertainment, education and product marketing.

(To make reservation for any of the following workshops please send and email to info@latheaterproject.org or call (323) 263-7684)

 

STORY COURTESY OF TIME MAGAZINE

Sunday, Jan. 29, 2006

Inside the Life of the Migrants Next Door
Thirty years of migration--mostly illegal--connect a small town in Mexico to New York 's wealthy Hamptons . How both sides have benefited, and paid a price By NATHAN THORNBURGH

On a crisp Saturday night in early winter, an armada of Hyundais and Saturns arrived at the colonnaded Bridgehampton Community House in the center of the Hamptons , a thin necklace of ultra-wealthy hamlets at the tip of New York 's Long Island .

The Hamptons are best known as a summer playground for Manhattan millionaires. But this night, the people who service the lavish Hamptons lifestyle were throwing their own party. They caravanned from a nearby church, little girls in frilly dresses and pomaded boys in squeaky shoes, shepherded by their parents--the roofers who tack gray slate to colonial homes, the maids who scrub toilets and dust Swarovski stemware, and the gardeners who feed the Hamptons ' endless appetite for formal English gardens and straight hedgerows.

The hundred or so guests had gathered for a quinceañera--a souped-up Latino version of a sweet-16 party, thrown for a girl's 15th birthday. But this was a coming-of-age celebration not just for the birthday girl but also for the Mexican community that has grown up in the Hamptons . Nearly all the attendees come from a town called Tuxpan in the green hills of the central-Mexican state of Michoacan, which has seen several generations of young workers move to this far, affluent corner of the U.S. They came with nothing, and many have managed to build a solid facsimile of middle-class American life. Still, most of them are--in the hard parlance of the immigration debate--illegal aliens, part of an emerging presence that was once seen as a blessing but has turned into one of the Hamptons ' biggest controversies.

The same souring dynamic echoes in cities and towns from Tuscaloosa , Ala. , to Tacoma , Wash. , as migrants push into new communities with increasing numbers and confidence. Their ascension has caused a thousand brushfires of resentment throughout the country. A TIME poll conducted last week found that 63% of respondents consider illegal immigration a very serious or extremely serious problem in the U.S.

Washington , having heard the call, is creaking into action. President George W. Bush has made it a New Year's resolution to pass a guest-worker program, coupled with robust policing of the border. Under his proposal, undocumented workers already in the U.S. would register here, work for as many as six more years and then return to their native country to reapply if they want to continue living in the U.S. Immigrant advocates oppose the idea, saying that a full amnesty giving permanent legal status is the only practical way to deal with the estimated 11 million illegal aliens in the U.S. without sending the economy, not to mention its poorest workers, into shock. But neither the President nor the amnesty crowd has a bill already rolling through Congress. That distinction belongs to House conservatives, who passed a hard-line border-security measure, stripped of any nod to guest-worker status, in December. The Senate will likely consider it this month.

In the meantime, an estimated 700,000 undocumented immigrants from around the world continue to enter the U.S. each year, according to the Pew Hispanic Center . TIME followed the fortunes of those from Tuxpan--both in the U.S. and in Mexico --and found that American misgivings about illegal immigration are mirrored by the illegals. Again and again, the immigrants asked themselves the question: Is coming to the U.S. worth it? The wages are undeniably good, as much as $15 an hour for manual labor in the Hamptons , 10 times the rate for the same work in Tuxpan. But even among the relatively well-off guests at the quinceañera, there has been a heavy price to pay for the opportunity: estranged marriages, wayward children, hostile neighbors here in the U.S. and a beloved hometown in Mexico whose long-term prospects seem to dim with each worker lost to the north.

THE TRAILBLAZER

THE STORY OF TUXPAN'S TRANSFORMATION from a provincial town of 30,000 into a major conduit of cheap labor for the Hamptons begins with a single wanderer. Mario Coria, 55, grew up so poor in Tuxpan that at age 11 he left for Mexico City to work in construction, a skinny kid carrying 80-lb. bags of cement and mortar on ramshackle scaffolding, sending nearly all his earnings back to Tuxpan. In January 1977, when he was 26, Coria had a chance encounter that would change his life--and that of Tuxpan--forever. He ran into a vacationing restaurateur from Bridgehampton who was asking directions to the Palace of Fine Arts in downtown Mexico City . Coria showed him the way, the men struck up a halting conversation in Spanish, and within two years, Coria had accepted the American's invitation to work as a gardener in the Hamptons . A tourist visa to the U.S. came included with his plane ticket, both easily arranged by a Mexico City travel agency.

The Hamptons , like much of the U.S. , had a very different relationship to illegal immigrants 30 years ago. Back then, Coria was one of only a handful of Spanish-speaking immigrants who lived in the area. His blend of industry, attention to detail and, eventually, confidence in his vision as a landscaper made him a hit with the wealthy Hamptonites. One family liked him so much that they had their personal attorney help him apply for legal residency. But even after he was legal, he still found it tricky being gardener to the rich and famous. He is fond of recalling how he walked out on the actress Lauren Bacall after, he says, she yelled at him for cutting a clutch of lilies too short. Overall, however, his perseverance has been richly rewarded. Coria started out making just $3.25 an hour, but today he is a U.S. citizen and owns a house in the Hamptons town of Wainscott . He bought it for $125,000 in 1996, but similar homes are selling for more than half a million dollars today.

A trip to Ororicua, the shantytown in the mountains outside Tuxpan where his grandmother was born, highlights just how far Coria has come. His grandmother's people still live in sloping clapboard shacks with dirt floors. Coria's home in Tuxpan is a porticoed five-bedroom residence in the center of town, and he drives a late-model Nissan Pathfinder. In the front of his vast garden are orchids and lilies he brought from the Hamptons . In the back are groves of guava, orange and avocado. But Coria's pursuit of success has taken a heavy toll. Being just about the only Mexican gardener in the Hamptons when he first arrived meant less competition, but it also made him more homesick. He returned to Tuxpan in the winters, but "every March when I went back to America , there would be two weeks when I just didn't want to get out of bed," he says.

In 2005 the depression came and didn't leave. The more financially secure he was, Coria says, the more overwhelmed he became by memories of his bitter past: the beatings he suffered as a boy working construction in Mexico City; the disapproval of his mother, who never seemed satisfied with the money he sent back every week. Coria fled the Hamptons abruptly last year in the middle of the busy summer season to recuperate in Tuxpan. Once a week, he makes the six-hour round-trip drive to see a therapist in Mexico City . He's planning on returning to the Hamptons in March to begin buying seeds and drawing up plans for his clients' summer 2006 gardens. But even if he goes back, he says, he doesn't think he can spend more than two additional seasons in the Hamptons . "Walking the streets of Tuxpan, I know who I am," he says. "Over there, even after all these years, I am just a stranger."

THE NEWCOMERS

THE DARKER COMPLEXITIES OF BUILDING A life abroad are lost on most Tuxpeños, who see Coria's mansion in Mexico and his new truck as tangible evidence of his success. Early on, friends and relatives asked how they could make their way to the Hamptons . In 1985 he brought over his half brother Fernando. Fernando invited two friends, who started bringing their relatives. A handful became dozens. Dozens become hundreds. There are no reliable estimates, but workers in the Hamptons say there are as many as 500 Tuxpeños living full-time in the area, and scores more show up during the work-filled summer months. Many of the new arrivals cross by foot near Douglas , Ariz. , and then get rides to big cities where they catch vans, buses or even airplanes to New York . (Southwest Airlines is a popular choice for its fares, as low as $99 one-way.) The lucky ones with tourist visas can fly directly from Mexico City to New York City 's J.F.K. Airport . But whether they travel by land or by air, relatively few get caught or even delayed. Their safety comes in numbers: hundreds of thousands of migrants will always win a game of Red Rover with a little more than 11,000 border-patrol agents.

Of course, people are not just coming from Tuxpan. Workers have been flooding into the Hamptons from other parts of Mexico , from Colombia , Costa Rica , Guatemala and Honduras . And the Hamptons , like so many suburban areas facing the same deluge, are feeling the strain.

The community's complaints against the newcomers are varied and vigorous. Neighbors rail against single-family homes that are carved into hostels housing a dozen or more men at a time. Uninsured drivers, some of whom display the daredevil driving style of rural Latin America , anger local motorists. Day laborers looking for work clog parking lots, and they are more than just an inconvenience. Flooding the market with cheap labor, they're driving down wages for everyone. Even some of the more established undocumented workers are critical of the newcomers. "A hard worker used to be able to make $15 an hour here," says Gabriel, 33, a Tuxpan native who owns a small gardening business and who, like many of the people interviewed for this story, asked not to be identified by surname. "But there are too many workers here now. They're working for $10 an hour."

A crowd of Ecuadorian day laborers gathered at the East Hampton train station in the fall were asking $12 an hour. The employers who stopped by ranged from heating repairmen to house moms. Homeowners and renters make up almost half of those who hire day laborers, according to a recently published UCLA study. The day laborers, who exist on the bottom of the undocumented-worker food chain, say they feel slightly shut out by those immigrants who already have a foothold in the Hamptons . "Their attitude is, we were here first," says a worker named Oscar. "But we deserve the same chance they had."

The old-timers, for their part, complain about the newcomers' work ethic. "The people who come these days just see the nice cars or the money on the streets of Tuxpan," says Coria. "They don't know how much hard work it takes to make it in the Hamptons . So many of them come, get disillusioned very quickly and return to Mexico empty handed."

Octavio, 19, a shy mechanic from a poor settlement outside Tuxpan, knows how hard it can be, and he is trying to hold on. In March he paid $2,200 to a door-to-door smuggling service that picked him up in Tuxpan and dropped him off in the Hamptons . But it was no luxury ride. The trip took eight days, including three days and nights of nonstop driving from Douglas , Ariz. , where he walked across the border, to the Hamptons . The Chevy Astro van that took him through the U.S. was crammed with 13 people--11 other Tuxpeno passengers and two alternating drivers. "I wasn't ever scared," Octavio says about the journey. "Just very tired." After he arrived, it took only a few weeks for his English-speaking uncle to find him a job in an auto-repair shop and a room to rent. Octavio now lives in a single-family home that got the illegal immigrant makeover: slap a lock on every bedroom and try to squeeze in as many families and workers as possible. He pays $500 a month to share his home with eight other workers he doesn't know and barely trusts.

But Octavio knows he's one of the lucky ones. His spot at the garage spares him the insecurity of hustling for temporary jobs as a day worker. The UCLA study reported that even when laborers find work, 49% say they have been cheated out of at least some of their pay in the past two months. Octavio recently got a raise to $10 an hour and supplements his income by doing freelance car repairs after hours, but after paying his rent and sending more than $1,000 a month to his mother (who plans to build a bathroom with running water), he doesn't have much money left. His only furniture is a mattress and a milk crate. Cardboard does the job of window shades. Octavio speaks just a few words of English and says he lives in fear of his Anglo neighbors, who seem to be constantly scolding him on the street. He thinks they might be mistaking him for one of his housemates, who disrupted the quiet neighborhood with repeated attempts to do body- repair work on old cars in the driveway.

UNEASY NEIGHBORS

THE HAMPTONS HAVE LONG CULTIVATED A Climate of easygoing tolerance, and for years town leaders dealt with illegal immigration by simply looking the other way. But that too is changing, as the numbers grow larger and the complaints grow louder. Last November, in a crackdown that has been lauded by anti-immigration groups around the country, police began taking down information about the vehicles that came to the East Hampton railroad station to pick up day laborers. They traced the plates and sent letters to the IRS and federal Immigration and Customs Enforcement agency, saying that the cars' owners might be hiring illegal contractors and should be investigated. "Sure, it's unlikely that the feds would take action," says East Hampton village police chief Gerard Larsen Jr., "but put it this way: Would you want a letter from your local police department to the IRS saying that you're probably paying people off the books?"

Larsen sees the crackdown as a way of targeting the problem without going after the workers directly--an acceptable solution for the sensitive political ecosystem of the Hamptons . Suffolk County Executive Steve Levy, who mainly oversees the more working-class communities west of the Hamptons , takes a more direct approach. Levy, a Democrat, has initiated sting operations on local contractors and helped towns bust lawbreaking landlords. His police also forcibly removed day laborers from a Farmingville 7-Eleven parking lot. Levy says the voters in his county appreciate his strong arm. "There's a tremendous disconnect between the public and these do-nothing politicians," he says. "You're seeing the beginnings of a citizens' uprising."

The tensions are most evident in the complex relationship between the Hispanic immigrants and the German, Italian and Irish families that for a century formed the area's working-class backbone. Those locals were the ones who did the gardening, cleaning and cooking in the Hamptons before Latinos started showing up and working longer for less. And it's the working-class residents, not the wealthy summer-estate owners, who end up not only competing for work with but also living next door to the newcomers. "We have up to 60 single men being stuffed into homes of up to 900 sq. ft. That's not an exaggeration. Single-family neighborhoods have been turned upside down," says Levy. "It's very politically incorrect to say, but that's not what those homeowners signed up for in suburbia." Despite their grievances, however, many of those same working-class families have become addicted to the cheap labor. As a landscaper, Jeremy Samuelson has seen starting hourly wages for gardeners fall from $14 to $12 in the past decade, but he admits that he and his neighbors view cheap labor as a perk of living in the Hamptons . "People are making less, maybe, but now lots of people have house cleaners come once a week," he says. "And if you want your roof redone, you can just go to the corner, round up 20 guys, and they'll have it done in an afternoon for less than $3,000."

RESTLESS EXILES

AS CROSSING THE BORDER HAS BECOME more difficult and expensive, workers are staying longer and bringing their children to live with them in the U.S. Julio, 18, and Carlos, 15, moved to the Hamptons from Tuxpan almost a decade ago with their parents Julio Sr. and Yadira. The boys grew up on PlayStations, sledding in the winter and pool parties in the summer. They speak accentless English and for most of their childhood were average happy-go-lucky small-town kids. But because the brothers were born in Mexico , they have no legal American papers, no Social Security numbers. And that means they are not able to apply for federal college loans or even prove that they meet the residency requirements of the local community college. Their parents have seen enough to know that without a college degree the boys would get no further than their parents had. So just before Julio was about to enter the 10th grade, the decision was made for the boys to go back to Tuxpan with their mother to finish high school there, which would make them eligible to attend a Mexican university. Their father would keep working in New York alone.

Finding their place in Tuxpan has been hard for the brothers. In America they were too Mexican. In Mexico they are too American. Julio, for example, started out wearing the baggy clothes he bought at Banana Republic and the Gap before he left the Hamptons , but he quickly found out that what passes for universal teenage fashion in the U.S. is viewed as the indelible mark of a hoodlum in Tuxpan. Even his friends greet him with "What's up, gringo?" So Julio and Carlos spend a lot of time hanging out with other kids who, like them, are Americans in exile. There's Flor, 15, a cousin who also grew up in the Hamptons and speaks a rapid teenage patois. There's her boyfriend Luis, also 15, a basketball-crazy redhead who grew up outside L.A. "People get mad at us when we speak English together," says Julio. "They think we're trying to act all big. But it's just how we are."

As part of their return plan, Julio and Carlos' parents have built their dream house just outside Tuxpan. It is a grand two-story affair with granite counters in the kitchen and views of the mountains from the boys' bedrooms. But cash is tight. In the U.S. , Yadira had moved up from cleaning houses to working as a manicurist for an upscale spa in Bridgehampton. With tips from her wealthy clients, she made up to $200 a day. But returning to Tuxpan, she quickly found out that sustainable income is hard to come by in small-town Mexico . Yadira tried running a small convenience store--selling sodas, lollipops, toilet paper--from the ground floor of her house. Those abarrotes can be found, it seems, in every other house in Tuxpan, and nobody appears to sell much of anything. After nine months, Yadira shut hers down. She now operates a clothing store. It is doing better than the convenience store, although on a typical afternoon, a few teenage girls stop in after school but don't have any money to buy anything. An elderly woman comes by to call a relative in Mexico City from one of the row of telephones in back. Yadira collects 20¢ for the call. To supplement her income, Yadira does manicures and facials when she can. She has also started to think about returning to New York , not solely for the money but because, like her sons, she has in many ways simply outgrown the town where cockfighting is the major pastime. "I thought it would be different coming back," she says with a sigh. "It can be so boring in this town."

AN ENDLESS CYCLE

A QUICK GLANCE AT THE ECONOMY OF A SMALL Mexican town like Tuxpan makes it clear why undocumented workers continue to head north. Tuxpan's heyday was in the 1950s and '60s, when it gained fame throughout Mexico for its gladiolus. But overproduction slowly poisoned the soil, leaving Tuxpan in a slow decline. In the past decade, flowers have made a comeback, but the salary for working in the greenhouses or out in the field still averages only $10 a day. At the same time, the cost of living is comparatively high in Tuxpan. As in much of small-town Mexico , the large influx of cash from the U.S. has thrown the economy out of balance. According to Pew Hispanic Center estimates, almost half the 10.6 million adult Mexican immigrants living in the U.S. sent at least some money back to their relatives last year, for a 2005 total of $20 billion.

In Tuxpan, as in many other towns in Mexico , the money is rarely used for bettering the community. Instead, there seem to be two impulses competing for those hard-earned dollars: a deep love of one's own family and a desire to show up everyone else's. Everyone buys Mom a house. Everyone buys a truck. Many buy subwoofers and chrome packages for their truck. When the returning workers descend on Tuxpan for the holidays in December, the local Yamaha motorcycle dealer has a field day. Rents in Tuxpan now average around $250 a month; completed houses can cost well over $100,000. Nike shoes cost up to $200 a pair. Seafood restaurants in town charge $10 a plate. "In America , we could go to restaurants whenever we wanted to," says the teenager Carlos. "Here, we can't afford it anymore." And the cycle of migration is self-propelling. Bartender Alfonso Mayo López, 43, lost his job in the fall when the last bar in Tuxpan closed because all its customers had gone up north. López now sees fewer and fewer reasons not to leave his daughter and wife and join his brother in the Hamptons . "The more difficult it gets here," he says, "the more I think about going there."

Roberto Suro, director of the Pew Hispanic Center in Washington , says the great irony of Mexican migration is that it often feeds the same problems that sent people north in the first place. "Many towns have lost the best of their labor force. There's money coming in [from the U.S. ] but no job creation back home," he says. "It just shows that migration does not solve migration."

The governments of the U.S. and Mexico are trying to encourage people to put the remittances to better use. In 2004 the U.S. Agency for International Development began a five-year, $10 million program to help Mexican microlenders boost small businesses. And the Mexican government is proud of its 3x1 initiative, a project that aims to unite the federal, state and local governments in Mexico with immigrants in the U.S. to fund programs for improving life in Mexico . But Tuxpan's Mayor Gilberto Coria Gudino (no relation to Mario) says he doesn't know of any 3x1 projects in the region. When asked if he has a plan for ensuring that the next generation of Tuxpeños won't be lost to the U.S. , he says his administration has paid $20,000 for a gigantic Mexican flag to be placed on the highest peak above Tuxpan. "This will send a message to all those who are working up north that they should be proud to be Mexican, not ashamed," he says. "It will tell them that Tuxpan welcomes them home with open arms!"

There are some signs of change, but they're planted in rocky soil. Like Mario Coria, a Tuxpeno named Pancho found wealthy patrons who valued his hard work in the Hamptons . He worked as a gardener at one family's East Hampton estate for more than a decade while his wife Ruth worked as their housekeeper. When the matriarch of the family died, she left Pancho, his wife and three daughters a fair sum of money. Pancho won't say exactly how much, but it was enough to seed his American Dream for Tuxpan: state-of-the-art greenhouses for growing roses, orchids and gladiolus to be sold around Mexico . He hoped to supplement his inheritance with low-interest loans that the state of Michoacan earmarked for returning emigrants. He says the loans would allow him to employ up to 40 people. "When this greenhouse gets going," says Pancho, "I hope to be able to save many people from having to go to the Hamptons, myself included." Right now, however, the several plots of land he bought in the hills outside Tuxpan lie fallow. Applying for the loans proved more complicated than Pancho anticipated, and he has no backup plan. He ended up spending much of a recent visit to Tuxpan driving his beat-up Dodge Caravan around town, drinking with old friends, trying to figure out how to raise more money.

THE PRICE OF PROGRESS

DESPITE THE FLOOD OF AMERICAN MONEY streaming into towns like Tuxpan, there is a palpable lack of vitality on the streets. In the summer working season, Tuxpan feels as if there's some great war on: all the fighting-age men have gone to battle the hedgerows up north. Only women, children and the elderly remain. That emptiness is felt acutely by Lucila, 75, mother of 13, eight of whom live in the U.S. She proudly gives a tour of her renovated house on one of the town's main streets. The back of the building is neat and thoroughly modern, with tile floors in the living room, modern appliances in the kitchen. Still standing in the front part are the three tiny adobe-walled rooms that used to be the entire house. Lucila and her husband slept in one room. The five girls slept in another. The eight boys slept in the third. Out back, just past where the refrigerator now stands, was a large pen that held up to 70 pigs. Besides tending the pigs, Lucila's husband grew corn and beans and did odd jobs as a tailor. Lucila taught knitting classes at her house to help the family scrape by.

Nowadays Lucila doesn't have to worry about money--her children paid for the renovations in cash, a 50th wedding anniversary present in 1995 for her and her late husband--but she is lonely. Four of her daughters live in the U.S. permanently; three are citizens by marriage. Five sons work in the Hamptons ; the other three are scattered across Mexico . Visits outside of Christmas are rare. Lucila occasionally talks on the phone with her children, but she spends most of her time walking through the enclosed town market and waiting for visits from the local priest. She keeps a bowl of salsa on the table at all times, just in case he stops by unexpectedly. "The padre loves spicy things," she says. But most days, not even the padre shows up. "There are times when I really miss my children," she says.

The northern migration has taken its toll on nuclear family life in towns like Tuxpan. Countless men have girlfriends in the north, while their wives and children remain in the south. And the women left behind in Mexico are faced with the same temptations. Workers in the U.S. regard this threat with black humor. The idea that there's a guy who's back home in Mexico drinking your beer, sleeping with your wife and spending your hard-earned money looms large in their mythology. He has even been given a name: Sancho. Taking a break from sodding a lawn in the Hampton town of Springs , a worker named Neftal­ jokes that he has to wire some money to Mexico that weekend because, he says with a grin, "Sancho needs new shoes."

The relentless separations put particular stress on children. When schoolteacher Claudia Gonzalez's husband returned after a two-year stint as a farmworker in Texas , her young daughter chased her father out of the house, yelling, "You don't live here. Go back to Texas !" Says Gonzalez: "No amount of money from up north can bring those years back."

TIGHTENING BORDERS

BEFORE THE U.S. BEGAN CRACKING DOWN on illegal immigration in the early 1990s, a push only accelerated by 9/11, many Tuxpeños flew back and forth easily on 10-year tourist visas. But as those visas expire, they're not being renewed under policies that seek to control more closely who gets into the U.S. The heightened border security has not, however, stopped undocumented Mexicans from getting in. The Pew Hispanic Center found that even though immigration is down since its peak in 2000, about 485,000 undocumented Mexicans were still crossing each year from 2000 to '04. In fact, the tougher restrictions have been a boon for the smugglers who sneak human traffic across the border. When Mario Coria's half-brother Fernando went to the U.S. in 1985, the trip from Tuxpan cost $200. Now the same trip costs more than $2,000.

For Pancho, the rising profitability of human smuggling is proving too tempting. He used to work as an enganchador, or wrangler, in Tuxpan, earning $200 for each would-be migrant he steered toward his friends who worked as coyotes, smuggling people across the Arizona border. Now, with the business plan for his greenhouses in disarray, he says he plans to move to Phoenix, Ariz., and work as a facilitator for the coyotes, watching over the newcomers and arranging bus or plane tickets for them to their final destination. Pancho estimates he could clear close to $1,000 a week. Working as a facilitator isn't as dangerous as sneaking through the desert with a group of immigrants as the coyotes do, but under the tough new laws aimed at traffickers, Pancho could face felony time of up to 20 years if he's caught. It's a stunning risk for a family man to take, but Pancho just shrugs. "I think it will be fine," he says. "And besides, where am I going to get that kind of money in Tuxpan?"

For those who are crossing, the traveling has become more arduous. The first time Gabriel, one of the guests at the Bridgehampton quinceañera, crossed the border in 1990, he left Tijuana at 6 p.m. and reached his sister in Los Angeles by 8 a.m. the next day. But after the border crackdowns of the mid-1990s, he has had to seek out new routes. In 1999 he flew from Mexico City to Montreal and went to a random downtown McDonald's, where he thought he could bump into Hispanics. If he found some Mexicans there, he reasoned, one of them would know how to sneak across the nearby U.S. border. Before long, he got a ride to a secluded place in the woods just north of the border, but an off-duty U.S. customs agent getting lunch at a Burger King drive-through spotted Gabriel as he walked out of the trees. He was fingerprinted, handed a summons to appear before a judge and released. The judge later issued Gabriel a voluntary departure order, giving him two months to arrange his affairs and move back to Mexico . For an already overburdened immigration system, voluntary departure keeps the U.S. from having to pay for jailing or deporting low-risk illegal immigrants like Gabriel. He did fly back to Tuxpan at his own expense but stayed only a couple months before illegally crossing once again, this time through Arizona , to rejoin his family up north.

For anti-immigration advocates, the episode is typical of the leniency on both the northern and southern borders that is killing the system. Their outrage was directed at Mexico 's National Human Rights Commission last week for its plan--scrapped a few days later--to distribute maps showing safe routes into the U.S. For Gabriel, however, the prospect of creeping and crawling through the woods just to reach his wife and two children in New York is humiliating. "I've got 15 years here," he says. "And crossing like that makes you feel like trash, like you're worth nothing."

Rather than run the risk and expense of going home in the winter, many Tuxpeños, particularly the families, simply choose to stay year round, putting even more pressure on the educational, health and social-service agencies in the Hamptons . The East Hampton school system now has a population that is 25% Hispanic, including legal and illegal kids. At East Hampton High School , new students who don't speak a word of English drop in so frequently that the school has developed a two-week crash course in basic phrases and American culture. There are signs of backlash from local taxpayers. A $90 million construction bond meant to alleviate overcrowding in East Hampton schools was rejected by voters last June, and some locals attribute the defeat to anger at the perceived costs of educating the kids of immigrant workers.

BACK AT THE QUINCEAÑERA in Bridgehampton, the festivities continued, yet the price and the promises of immigration were never far out of mind. Julio Sr. was there, but his wife and sons were 2,000 miles away in Tuxpan. Pancho was still in Mexico , so his wife Ruth waltzed with their daughter Samantha, 3. Gabriel sat with his arm around his wife Jani and talked about how their daughter Lena , 8, born in the Hamptons , could petition to obtain permanent legal residency for her parents in 2015, when she turns 18. "But by then," he said, as if suddenly remembering, "I really hope we're living in Tuxpan."

TIME POLL: A majority say illegals are a real problem ...

--How serious a problem is illegal immigration into the U.S. ? Extremely 30% Very 33% Somewhat 26% Not very 8%

--83% are concerned that providing social services for illegal immigrants costs taxpayers too much

--71% are concerned that illegal immigrants increase crime

--56% think illegal immigrants are taking jobs that citizens don't want

... although few say they are personally affected ... Do you pay less for some items or services because of low-wage illegal immigrant labor? Yes 17% No 71 %

--61% said they have had some kind of contact with people they believed to be illegal immigrants

--5% said they had hired someone they thought might be illegal to work around the house

--14% said they had hired a contractor or company that may have used illegal immigrants

... they still want more done about it

--Is the government doing enough to keep illegal immigrants from entering the U.S. ? Yes 21%* No 74%

--50% said all illegal immigrants should be deported, but:

--76% think illegal immigrants should be able to earn citizenship

--73% favor guest-worker registration for those already here

--64% favor issuing temporary work visas for seasonal work

Copyright © 2006 Time Inc. All rights reserved.


RELATED STORY:

STORY COURTESY OF TIME MAGAZINE

 Sunday, Jan. 29, 2006
How the Influx is Changing the U.S.

About 6.3 million illegal immigrants from Mexico live in the U.S. , according to the Pew Hispanic Center , and an average of 485,000 more arrive every year. In response, state legislatures considered nearly 300 bills on immigration policy in the first half of 2005 alone, but passed just 47. While some states address the challenges facing migrant workers with families, others are trying to crack down on illegal immigration SUPPORTIVE LEGISLATION Washington State Reversed a 2002 measure and restored health-care coverage to children regardless of their immigration status

Illinois In November Governor Rod Blagojevich set up an office to study immigrants contributions and needs; a new law allows illegal immigrant children to obtain health insurance

Idaho Rejected a bill that would have required counties to pay for transportation of undocumented workers back to their home countries

New Mexico Became the ninth state to extend in-state tuition benefits to undocumented immigrant students

CRACKING DOWN Virginia A recent bill would make it the first state to prohibit illegal immigrants from attending state colleges; a new law restricts other benefits

South Carolina A bill passed the state house  and senate requiring Medicaid applicants to present proof of legal residency if asked

Arizona Passed a law prohibiting cities from maintaining public day-laborer centers, where migrant workers congregate to seek employment

Kentucky Enacted a law requiring anyone seeking licenses for various professions to show proof of immigration status Illegal immigrants in the U.S. are largely from Mexico ...

Country or region of birth of illegal immigrants in the U.S., March 2004 MEXICO 57% OTHER LATIN AMERICA 24% ALL OTHER 19% estimates ... Their numbers are growing ... 2005 -- 6.3 million illegal Mexican immigrants living in the U.S.

... and they are sending more and more money back home $1.7 billion ¢ Billions of dollars received monthly in Mexico from immigrants in the U.S. Includes money from legal and illegal immigrants PROFILE OF IMMIGRATION

--1 in 10 Proportion of Mexicans born in Mexico who now reside in the U.S.

--80% to 85% Percentage of new immigrants from Mexico who lack legal documentation

--$9 Median hourly wage of Mexican-born workers in the U.S. in 2004

--$1.86 (21 pesos) Median hourly wage in Mexico in 2004

--$450 billion Estimated combined annual gross income of all U.S. workers born in Latin America, of both legal and illegal immigration status, according to a 2004 report*

--93% Percentage of that $450 billion that was spent in the U.S. * *From the Inter-American Development Bank

Sources: Pew Hispanic Center ; National Immigration Law Center ; National Conference of State Legislatures; INEGI (Instituto Nacional de Estadistica, Geografica e Informatica)

Copyright © 2006 Time Inc. All rights reserved.

NALIP—LWL Grad Henry Robles' "In Justice" Episode—this FRIDAY 2/3!

NALIPsters:

Murder, mayhem, stolen antique jade, an imprisoned paralegal, and a sexy red-headed prosecutor-turned-judge.  What could it possibly all mean?  Tune in this Friday, Feb. 3 on ABC and find out when NALIPster Henry Robles’ episode of "In Justice" airs.  On the West Coast it's at 9 pm .  For times in other parts of the country check your local listings. 

Happy ending is guaranteed. Or is it?  Hmmmm.......

For more info, log on to: http://abc.go.com/primetime/injustice/index.html


Latino OSCAR ® Watch 2006

Dear NALIPsters:

Below are the Latino 2006 Academy Awards Nominees.

(DISCLAIMER: We may have missed someone that we don't know as being Latino, if so, please let us know.)

Achievement in cinematography
Brokeback Mountain ” (Focus Features) -- Rodrigo Prieto
“The New World ” (New Line) -- Emmanuel Lubezki

Achievement in music written for motion pictures (Original score)
“ Brokeback Mountain ” (Focus Features)--Gustavo Santaolalla
“The Constant Gardener” (Focus Features)--Alberto Iglesias

Best animated short film
“One Man Band” ( A Pixar Animation Studios Production)
-- Andrew Jimenez and Mark Andrews

Best live action short film
“Our Time Is Up” ( A Station B Production)
-- Rob Pearlstein and Pia Clemente


Jeff Valdez, Co-Founder of Sí TV, Makes Advertising Age’s ‘Marketing 50’

Honorees Luncheon on Tuesday, January 31, 2006

Los Angeles (January 30, 2006) Jeff Valdez, Chairman and Co-Founder of Sí TV, the first English-language Latino cable network, has been named one of Advertising Age’s 2005 ‘Marketing 50’.  Honorees will receive their awards at a luncheon on Tuesday, January 31, 2006 at the Hilton Hotel in New York City .

"I am very pleased to be honored by Advertising Age,” says Valdez .  “We have worked very hard to make Sí TV the destination of choice for 18-34 multicultural viewers."  In less than two years, Sí TV has launched in several major markets including New York City, NY and surrounding areas; Los Angeles, CA; Denver, CO; Las Vegas, NV; Detroit, MI; Fresno, CA; Colorado Springs, CO; West Palm Beach, FL; Wilmington, NC; and Bakersfield, CA, among others.

Sí TV was the only TV Network to make Ad Age’s ‘Marketing 50’ as a result of bold and creative marketing initiatives such as “branding” Time Square’s Naked Cowboy (a troubadour who roams the area in his briefs, cowboy hat and boots), parking a taco truck directly outside an MTV event, and recruiting Segway scooter teams to roam the National Cable Television Association convention area while wearing video screens which promoted Sí TV.

Each year, Advertising Age editors select the most innovative and inspiring marketers who have successfully established or repositioned a brand. The honorees are marketers for a wide spectrum of products, services and ideas and are responsible for today’s hottest marketing success stories.


Latin King of Comedy, Alex Reymundo, to film his one-hour comedy special, Hick-Spanic, at the National Hispanic Cultural Center in Albuquerque , New Mexico . Hosted by fellow Latin Kingof Comedy/NALIPster: Joey Medina.

You’ve seen him in Paramount ’s The Original Latin Kings of Comedy with such greats as George Lopez and Cheech Marin. You’ve seen him perform to a standing ovation in HBO’s P. Diddy Presents The Bad Boys of Comedy this last fall. Now, ladies and gentlemen, get ready to cross boundaries and experience ALEX REYMUNDO as you have never seen him before while he films his one-hour Comedy Special, “Hick-Spanic,” February 17-18, 2006 in Albuquerque , NM at the National Hispanic Cultural Center (NHCC).

All four shows will be hosted by fellow Latin King of Comedy, Joey Medina, who just completed shooting his own comedy special, Latin-Palooza. Produced by Payaso Entertainment in association with Funny As Hell productions with executive producers, Scott Montoya (“The Original Latin Kings of Comedy”), Neal Marshall (HBO Comedy Specials), Alex Reymundo (“The Original Latin Kings of Comedy”), Ross Denny (Angels with Angles), Jeff Fishman (Fishman Productions, Ltd.); Producer, Yvette Yates (“The Latin Divas of Comedy”) and Director, Jorge Gaxiola (“ 7 Mujeres, Un Homosexual, y Carlos”). Tickets are now on sale through the National Hispanic Cultural Center (505) 724-4771 and Ticketmaster (505-883-7800).

The complete schedule for February 17-18 is listed below:

Fri. 2/17- 8p.m. , 10p.m. ; $15, $20, $25

Sat. 2/18- 8p.m. , 10p.m. ; $15, $20, $25

www.alexreymundo.com

www.joeymedina.com

Contact: Scott Montoya or Yvette Yates (323) 956-3822

e-mail Scott at: payaso90210@yahoo.com

e-mail Yvette Yates at: yvettey@usa.net


Secrets to “Creating Blockbuster Worlds” Revealed by Designer Jeff Gomez
at International Game Developers Association and Developers Revolution Meetings

NEW YORK – January 23, 2006Jeff Gomez, CEO and founder of Starlight Runner Entertainment, Inc., will reveal some of his personal techniques for “Creating Blockbuster Worlds” at the Houston Community College (HCC) West Loop Campus Auditorium in Houston, Texas on Thursday, January 26, at 7:00 P.M. The exclusive seminar will be part of the International Game Developers Association (IGDA) Houston Chapter’s quarterly meeting.

 Members of the media: For further information or to schedule an interview with Jeff Gomez, contact Christi Cassidy, +1-505-986-1142 or christi@mantrapublicrelatons.com.  
 
For information on HCC, contact the Digital Gaming and Simulation Department Chair, Reni Abraham, +1-713-718-6743.


WORLD CINEMA AUDIENCE PRIZE, DOCUMENTARY: DE NADIE (NO ONE )
Despite sometimes heavy-handed efforts to tug at audience heart-strings, debutant Mexican helmer Tin Dirdamal's "No One" reps a moving portrait of Central American immigrants passing through Mexico to El Norte in search of a better life. Central American subjects interviewed recount appalling tales of beatings and worse encountered en route from gangsters and police, but still cherish fragile hopes for the future. Slickly assembled pic will put a human face on familiar statistics at further fests and liberally inclined cablers, and make Dirdamal a talent to watch.
More at: http://email.variety.com/cgi-bin7/DM/y/ekVc0DbubY0Oe40BAuq0E5


Award-Winning Children's Series, Plaza Sesamo, Debuts New Season on PBS, Featuring Telenovela Parodies and New Latin
HispanicBusiness.com Wed, 25 Jan 2006 9:14 AM PST
NEW YORK, Jan. 25 /PRNewswire/ -- A new season of Plaza Sesamo, the award- winning series designed to address the educational needs of Spanish-speaking preschoolers, has begun airing on select PBS stations throughout the United States.


Hip-Hop Summit Youth Council Teams with Rosario Dawson For A-Team Program By Chris Richburg Date: 1/26/2006 10:15 am
allhiphop.com Thu, 26 Jan 2006 7:26 AM PST
Hip-Hop Summit Youth Council Teams with Rosario Dawson For A-Team Program Plans for a new HIV/AIDs awareness program were revealed during a recent health fair and forum organized by the Hip-Hop Summit Youth Council.

 


Telemundo Launches Mystery Show Online
Marketing Y Medios Wed, 25 Jan 2006 4:54 PM PST
Telemundo will launch an original online series, Bárbara Luna, focused on an unfolding murder mystery. The new show will be part of the network's upcoming Online Mystery Theater showcase, which will debut this spring on Telemundo.com.


/ CORRECTION - VideoMovieHouse.com and DVDmarketplace.com to Target Hispanic Markets Nationwide
Market Wire via Yahoo! Finance Thu, 26 Jan 2006 10:38 AM PST
In the news release, "VideoMovieHouse.com and DVDmarketplace.com to Target Hispanic Markets Nationwide," issued earlier today by VMH VideoMovieHouse, we are advised by the company that the last sentence of the first paragraph should read "For further information about CMG please go to their website at www.centaurus.cc" rather than "www.centaurus.com" as originally issued. Complete corrected text


AZ Filmmaker Releases 'Once Upon a Time in the Desert'
Arizona Reporter Wed, 25 Jan 2006 11:46 AM PST
Where: Phoenix, AZ -- Volarefilms LLC, an Arizona base independent film company, releases Once upon a Time in the Desert , a short film that highlights the violence associated with human trafficking.


WORLD CUP TO HEAVILY IMPACT HISPANIC ADVERTISING
Spanish-Language Network TV Expects 10.4% Boost
NEW YORK (AdAge.com)-- Jan. 30, 2006 -- Hispanic media growth has slowed somewhat from the breakneck pace of the last few years, but TNS Media Intelligence is forecasting 10.4% growth for Spanish-language network TV in 2006 as advertisers ante up for soccer’s global championship series.

See full story at http://www.adage.com/news.cms?newsId=47665 -- Laurel Wentz.


"Secret Life of Words" heads Spanish film awards
Mon, 30 Jan 2006 06:25 am PST
Reuters - A film shot in English, "The Secret Life of Words," won top honors at Spain's equivalent of the Oscars on Monday. Full Story


Murguia stresses the power of activism to young people
Kansas City Star Sat, 28 Jan 2006 0:21 AM PST
Janet Murguia dropped the names Eva Longoria and Edward James Olmos as she spoke Friday to local Latino high school and college students.


ABC brings back ALMAS, the awards show for Latinos
Baltimore Sun Wed, 01 Feb 2006 0:45 AM PST
Liz Smith AI-AI-ai I like you very much. Ai-yi-yi-yi-yi I think you're grand." So sang the fabled Carmen Miranda.


Southwest Airlines to Sponsor First Hispanic Heritage Youth Award for Education
HispanicBusiness.com Mon, 30 Jan 2006 9:14 AM PST
DALLAS, Jan. 30 /PRNewswire-FirstCall/ -- Southwest Airlines , the Official Airline of the Hispanic Heritage Youth Awards, announced today that it will sponsor the first Hispanic Heritage Youth Award for Education, a national search for young Hispanic leaders and role models.


New Spanish film festival to be held in June

The Spanish Film Screenings of Madrid will fill the hole left by the cancellation of Lanzarote.


Tornasol Films to back new prize at Guadalajara Film Festival

Tornasol will bring $302,812 to the winning film of the two-day Ibero-American Co-Production Meeting.

EDITOR FOR FEATURE DOCUMENTARY NEEDED ASAP

Dear NALIPsters:

Seeking an experienced editor for an hour-long documentary, Our Women, Our Struggle (OWOS), that chronicles the lives of four Puerto Rican activist/nationalist women -- Isabel Rosado, Lolita Lebrón, Dylcia Pagán, and Esperanza Martell, who have dedicated their lives to ending social injustice. Collectively, these women speak on the historical struggle of Puerto Rican Independence movement while also sharing their contributions to the movement.

I am looking for someone who can be a creative partner is the process --

--Need to have a genuine interest in this topic or at least be interested in the subject matter
--Have experience editing long-form documentaries
--Be available to meet at least one day a week
--Must have time to work on this project
--This job does not have a time limit but need to have a 30-40 work-in-progress by the first week of April
--Sample work reel required showing previous projects
--Pay is low but can be negotiated (we can discuss this in-depth)

It really is a wonderful project and these women's lives are very interesting. They stories must be told and I am looking to work with someone who wants to be part of my team.  I am really passionate about this subject so this documentary means a lot to me.

For more info on OWOS , please visit:
www.nalip.org/newyork/owos.htm /www.nalip.org/newyork/docugroup2004.htm

If you are interested please email me your resume at zoemontero@hotmail.com  You can also call me at my cell 718-404-7174 . Hope to hear from this interested soon. Peace and Love,
 
--Melissa Montero


Bilingual (English/Spanish) Co-Producer Needed for Independent Documentary:

‘Field Soldiers’ is a documentary about the Braceros, Mexican laborers brought over to the U.S. to work from 1942-1964. They set the stage for what is now known as "Guest Worker Programs." And it is only now when the few Braceros still living are receiving their pay.

Majority of footage is shot. Need finishing funds. Candidate must have experience and contacts in industry. Preferably based Los Angeles area. Climb on board for a historical ride on a current hot political issue.

Email resume to terri@cinecolores.com

Website: www.cinecolores.com for more information on project.


CASTING: USC graduate project Short "El Chisme"

Seeking:
Edward - Lead / MALE / 18 TO 26 / Hispanic
Edward is an innocent, loving young man. He is a dreamer with high morals and a caring attitude. Edward looks out for his mother and wants the best for those he truly loves. He is an extremely diligent and hard worker who is often influenced by the thoughts and opinions of others. He finds comfort in food. Edward doesn’t think twice about the gossip that tends to run rampant in his neighborhood (often centering around his mother) that is until it directly affects him!

Please call the Producer Steven Wijaya at 608-628-9270 or send headshot to his e-mail steven@unicanusa.com.


LINE PRODUCER/UPM NEEDED IMMEDIATELY FOR MUSIC VIDEO

Line producer/UPM wanted immediately to start work for a  music video production. Pay is $750-$1000 per week depending on experience.  Must have music video or commercial experience. You must mention you were sent by Jeff Gund, and please email cover/resume ASAP to
aronprods@aol.com


Casting: 2 Commercials. (Non Union )

--2 Females. early 20's, exotic looks.
--1 Latino Mafioso type. Heavy set.
--1 Female, Latina young mom.
--1 Male, Latino young dad.
--1 Kid latino.


Send headshots and conflict to: carlos@tmcus.com


CASTING: HD Project

From: Bill Hooey (Hispanic Talent Casting Of Hollywood) "Firefly" is a drama about three women's lives. It takes place in Los Angeles , Las Vegas and Alaska .  The film's shooting schedule is from March 4 to April 12, 2006 . We are seeking to hire Caucasian, Hispanic and African-American actors.

The following roles are now open for casting:

Hispanic Speaking Roles:
--Gangster (a boss, very fat, around 400 pounds and scary)
--Ice cream man (young. evil, sinister and manipulative) has a love scene with Gina.
--Female model, she is around thirty five trying to look twenty five, big breast, sexy but not over the top, a little vain.
--Waiter - strange looking 20 to 29 years of age.
--Street Hustler- a guy who sells passports.

Hispanic Non-Speaking Roles:
--Ice cream vender - nice looking
--Street vender - who sells a novelty item, he is also part street performer.
--The pervert - a guy who tries to draw attention to himself by humping a mannequin
--Bodyguards - two muscle bound tough guys

Hispanic Extras:
--Shopkeepers - two of them
--Various men of all ages who stare lewdly at Gina

Non-Hispanic Roles:
--Caucasian Tattoo artist - a tough looking guy, the leather look, covered in tats but when he speaks it is clear that he is gay.
--African American guy into hip hop, bling bling, drives a man car, street hip but affluent.
--The innocent passerby - any ethnicity, a soft gentle type guy, age open

Non-Speaking - any ethnicity (not Hispanic)
--Father - a father who is buying ice cream for his child
--Child - a child eating ice cream
--Tattoo parlor assistant
--Caucasian prostitute
--Homeless guy - begging for money.

The Details:
All the above roles perform in scenes that will be shot in the Los Angeles area.  This project is non-union at this moment but the producers are applying for SAG Ultra Low Budget Status.  This film will be shot in HD.

Speaking roles pay one hundred dollars per day.  Some of the non-speaking roles which are only in one scene pay according to hours on the set.  All auditions will be held on Feb. 11, 2006 .  All submissions must be in by Feb. 6.  You may mail your headshot and resume or drop it off in person.

Bada Entertainment
3600 Wilshire Blvd.   Suite 918
Los Angeles , CA   90010

If you have any critical questions, you may call (213) 380-8377. When you send in your headshot and resume' please write a note that you were referred by Bill Hooey.


SEEKING WEB DESIGNER

Cinético Productions is seeking a WEB DESIGNER for their next feature film HUNTERS- a sci-fi technological thriller.  This film will have large web publicity beginning March up until it's release in late 2006. The site will constantly be changing (every 2 weeks) with updated information on the film and story.  The pay is minimal; however, this is a great opportunity for someone looking to develop a relationship with a production company and also to get their work out there.  If interested please contact us as soon as possible.

Contact:  Miguel Caballero
E-mail:  Unexxpected1@Gmail.com
Website:  www.CineticoProductions.com


Diversity Documentary on New Generation Latinos

SEEKING: Married Couples / Hispanic/Latino & US Born / Age: 22 - 35

Looking for Hispanic/Latin Married Couples to tells us their stories on where they grew up, their traditions and culture, values, experiences, etc..  Must have outgoing personalities.

Please submit pictures for selection to susana.martinez@nick.com.
Will be holding auditions starting the week of 1/23/06 . Please submit ASAP.

 

 

Editor

Alex Mendoza
Alex Mendoza & Associates
AMARTE Design & Digital Printing
9513 Longden Avenue
Temple City, CA 91780
626-614-8277

Co-Editor

Jose Murillo
NALIP
1323 Lincoln Blvd., #220
Santa Monica, CA 90401
310-395-8880
membership@nalip.info

 

 

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The Latinos in the Industry e-mail Newsletter is a free service provided by the National Association of Independent Producers (NALIP) with the generous assistance of Alex Mendoza & Associates (AMA) and it is provided in an “As-Is” basis and for the education and information of users only. It is not provided with the intention that users rely upon the information for any purposes. Accordingly, NALIP and/or AMA, their principal(s), employees, agents or representatives shall under no circumstances be liable for any loss or damage, including, but not limited to, loss of profits, goodwill or indirect or consequential loss arising out of any use of or inaccuracies in the information. All warranties expressed or implied are excluded to the fullest extent permissible by law. All comments and postings, including those by the Editor, are the responsibility of those individuals posting and no endorsement by NALIP and/or AMA should be inferred. Referral links and individual e-mail forwarding are permitted. NALIP reserves the right to withdraw or delete information or to discontinue this service at any time. All quoted, linked and/or referred information, as well as all copyrights and trademarks, are the property of their respective holders, used here under license and/or “fair-use” rules. ©2005 NALIP.